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Power conductor manufacturers are constantly developing better products to add to their existing product range and this gives them the advantage of being able to meet the needs of a wide range of consumers. It enriches the product content with the attributes, descriptions documentation and other related data much faster. I may still be getting 60 mA in 1 tube and 40 mA in the other, with the total 100mA (though I doubt the difference is that much). Perhaps it was “upgraded” too much that musicality vaporized. As a cleanser, healer and energizer, Complete Phyto-energizer strengthens the body to protect itself and fight against a wider range of physiological conditions that lead to ailments such as hypertension, diabetes and cancer, among others. Think of having a dull or too bright background for a clothing range. Moving on to the AES proved a lot more troublesome. Understanding the process of manufacturing Electronics requires a lot of resources, and the management of those resources can create a headache for any company.
It can be difficult to identify a good source that can measure up to your standards of quality as well as low prices. The prices of competing goods also influence a shift in the supply curve of a particular product. Hold a big event that will attract media attention and make your product launch look like a big deal. Many event organizers keep the event ticket price low to attract a significant number of participants. This has implication. As the AES can only bias 2 tubes together, that means for unmatched tubes it was wise to bias low for safety. Expert ratings for Gateway computer tend to be average to low compared to other manufacturers. TJ could not do that, so was not over-decorating the music (IMHO Menuhin needed that). Playing Menuhin again just confirmed that the playing was still not appealing. Things were really quite fine except massed strings which still were a bit too thin, but this may be the TAD’s Archilles’ heel anyway. This used pair of TJ 300B biased quite a bit differently than my other 300Bs. I had to turn the bias pot quite a bit more clockwise (a few hours) on BOTH Advance and AES.
Things were still sharper than the Advance but the pro’s and con’s now became more even, and listenable too. With loud passages the congestion was still a little annoying with the VA. But there still was considerably more grittiness than using the Advance amp. I started using the Audio Synthesis passive, and had to advance the volume to 3 o’clock to have good sound pressure, so the input sensitivity is lowish. Without the preamp the Advance had the more natural flow. Really more musical but the slight veiling and loss of details were palpable and difficult to accept after TAD. To be honest when I got this amp, with original Sovtek 6SL7 and Sovtek 300B I played it with the TAD. I decided to stick to the AD, original cables, and Audio Synthesis for the AES. Quad 67 cdp or PS Audio Lambda/Illuminati/Monarchy 18B. The former is very musical but the latter is more hifi, with excellent resolution. OK, with the KR 6SL7 on board and VA 300B the sound was quite a bit more refined, indeed almost musical.
The environmental mess is even more complex than this. This is in part because they have to be extracted as a by-product from mined ores in which they are only present as small traces, making extraction a complex and costly business. Recently I returned from the USA and brought back some Ken Rad silver plate 6SL7, the best in the business (yes, those UK “equivalents” are very bad). Do not begin by murdering the business online from the start. And then I changed to TJ in the AES. I adjusted the AES to be 100-105 mA. As a matter of fact, The AES with TJ mesh sounded great! So I took the AES amp out to the living room and hooked it up to the La Scala. I was literally floored listening to the La Scala again. This marked the first time I listened to the La Scala in months. At this point I listened to several hours of CDs and I had absolutely no fatigue and enjoyed all the discs.